As their van tumbled off the highway, The Dreams were probably regretting that their community college gig went so late. It was only after the van landed right side up and everyone emerged unscathed that they realized they had been saved by an act of God. They converted to Islam and changed the group’s name to Father’s Children.
Father’s Children—Hakim Carpenter, Sadik Long, Malik Khabir, Nizam Smith, and Qaadir Sumler (pictured left to right)—played covers regularly but after hearing their music recorded for the first time with producer Robert Hosea Williams, they decided to aggressively pursue original music. In 1973 the band recorded a stack of material with Williams but the tapes were never released and eventually forgotten about. Father’s Children recorded a 45 with two tracks—“Linda“ and “Intellect” at Arrest Records on K Street NW in 1975, which fizzled. They continued to perform including with artists such as Earth, Wind and Fire, Stevie Wonder, Buddy Miles, Rare Earth, The Staple Singers, Albert King, Eddie Kendricks, Chaka Khan, Roy Ayers, and Herbie Hancock.
Father’s Children shuffled Smith with Tony Vaughn and recorded a self-titled LP in Los Angeles on Mercury Records in 1978, which sold poorly due to insignificant marketing. The group broke up shortly afterwards only to reemerge decades later with Capenter and Sumler and new members, releasing the album “Sky’s The Limit.”
In 2012 music historian Kevin Coombe discovered Father’s Children’s unreleased tracks in Williams’ garage and the album “Who’s Gonna Save The World” was finally released on Numero Group to critical acclaim. The original members still keep in touch and celebrated the long awaited availability of their intended debut album together.
“We still love each other so it’s all good,” says Sumler. “We spent too much time together, too many close moments—sleeping together, eating together, hanging out—a brotherhood.” Father’s Children released their latest album, “Love & Life Stories,” in 2013.