Sweet Soul

Elvans Road LTD.

Elvans_Road_LTD
Mike Dean, Tyrone Thomas, Elliot Adams, Michael Jones, Claude Hodges, Freddie Ross, Keith Holmes, and Buddy Green (l-r) on Elvans Rd. SE.
Can I – Elvans Road LTD.

Marshall Hall was an amusement park in Charles County, Maryland that Washingtonians traveled to by ship every summer from the early 1900s through 1980. The ship, later known as the Wilson Line, featured live performances including Elvis Presley’s only show in the District. In the 1970s the Wilson Line was a venue for national acts such as Funkadelic and local bands including The Matadors.

The Matadors were a band from Southeast DC, primarily from Anacostia High School and Ballou High School. They played popular music at churches, military bases, and non-commissioned officer clubs, and later the Wilson Line, The Panorama Room, and the Washington Coliseum with groups including The Young Senators, EU, Distance, Trouble Funk, and Leadhead. The Matadors played a variety of genres including songs by Chicago, Blood, Sweat & Tears, and James Brown.

Unfortunately for group there was already a funk band from St. Louis, IL called Bull & The Matadors so they changed their name to Elvans Road LTD. after the location of their band house. In 1976 Elvans Road LTD.—Michael Zakee Jones, Tyrone Thomas, Roosevelt Smith, Mike Dean, Paul Wilkerson, and Vernon Cooper—recorded two tracks at American Star Recording Studios in Merrifield, VA: the instrumental “Summer-Free-Fo-All” and “Can I,” written by keyboardist Smith with vocals by Thomas. The record was produced by future go-go icon Maxx Kidd on his Cherry Blossom Records Inc. and arranged by Al Johnson.

“Summer-Free-Fo-All” received minor airplay on WOL but it wasn’t enough for Elvans Road LTD. to gain traction. Ultimately the group split up after several members left to perform with Leadhead.

Michael Zakee Jones continued in music, eventually joining Symba, which scored a Billboard Hot R&B charts hit with “Hey You” in 1981, written by the former Elvans Road LTD. member. Currently Jones performs with Jimi Smooth & Hit Time, which also features Jimi Smoot from The El Corols Band & Show and George “Jackie” Lee from Sir Joe Quarterman and Free Soul.

Mmm, mmm, mmm.

In Memory: Terry Huff

The first time I heard Terry Huff and Special Delivery‘s album “The Lonely One” I was astonished by the unparalleled pitch of Huff’s falsetto voice. It was beautiful. I read more about Huff in Ted Scheinman’s excellent 2010 piece, “Terry Huff’s Lost Soul,” and got his contact info from the author. We met at Huff’s daughter’s house and and he was game for the shoot, even when neighbors informed us we were standing in poison ivy. When I left he sang a bit of a new song he was working on and his voice sounded as good as ever.

I knew Huff had cancer and was saddened to learn about his death a few months later. I’m thankful that I had the opportunity to meet him. His voice was undoubtedly one of a kind and “I Destroyed Your Love” is one of my top 10 favorite songs of all time.

This post is in memory of Terry Huff.

terry_huff

I Destroyed Your Love Part 1 – Terry Huff & Special Delivery

Terry Huff started singing on Capitol Hill street corners with his brother Andy and friends from the neighborhood as a teenager. Discovered by John “Johnny Boy” Katsouros, Andy and The Marglows recorded four singles on Liberty Records—“Superman Lover,” “Just One Look,” “I’ll Get By” and “Symphony” in 1963.

Huff became a DC police officer in 1969 but in 1973 quit the force and delved into songwriting. He met George Parker, Reginald Ross, and Chet Fortune of DC vocal group Act One through a friend. In 1975 they released the single “I Destroyed Your Love” on Mainstream Records under the name Special Delivery and Huff’s limitless falsetto helped propel the record around the country.

Terry Huff and Special Delivery released the LP “The Lonely One” on Mainstream Records in 1976, which featured many of the songs Huff wrote after leaving the police force including “I Destroyed Your Love,” “Where There’s A Will (There’s A Way),” and the title track. The late Al Johnson arranged and conducted the record and Huff sang lead on all of the songs while Parker, Ross, and Fortune performed background vocals. Unfortunately Terry Huff and Special Delivery split up prior to the record’s release. Huff and his brothers Andrew and Jimmy, who sang background on “The Lonely One,” tried to secure a new deal with Philly International Records but were unable to due to legal complications.

Huff was seldom heard from thereafter. In 2010 writer Ted Scheinman, who lived near Huff, wrote “Terry Huff’s Lost Soul,” a cover story about Huff for the Washington City Paper, shining a spotlight on the DC soul legend once again while revealing that he had been homeless and had cancer. Despite his illness Huff planned a return to music and secretly performed at Open Mic Night at the Channel Inn’s “Engine Room.”

Huff sadly passed away in December 2012 at age 65 before he could attempt a comeback. In January 2013 a concert featuring Peaches & Herb, Skip Mahoney and The Casuals, Al Johnson, The Winstons, The Choice Four, and Special Delivery helped raise money for his funeral. You can purchase Terry Huff and Special Delivery‘s music here.

Most of the content for this article is from Ted Scheinman’s City Paper cover story.

Mmm, mmm, mmm.

Mark Greene

Not On the Outside – The Moments

Growing up in a musical family in Anacostia, Mark Greene first began to train his falsetto voice by mimicking birds. He joined his first group, The Congressionals, as a teenager, recording a single, “I’m Going to Leave This Town,” which was never released. When Greene was in his early 20s the original formation of Washington, DC based group The Moments—Eric Olfus, John Morgan, and Richard Gross—and producers the Mizell Brothers and Freddie Perren, met with Greene at a recording studio on Vermont Avenue NW and recruited him as their new lead vocalist. Together they traveled to New Jersey to record with Sylvia and Joe Robinson on All Platinum Records (which later became Sugar Hill Records) and recorded the single “Not On The Outside” with lead vocals by Greene. The 45 reached #13 on the Billboard US R&B charts in 1968 and #58 on US pop charts. That same year The Moments also performed at the Apollo Theater, sharing the stage with Michael and Marlon Jackson, Sam & Dave, Clarence Carter, The Unifics, and Margie Hendricks.

Sylvia Robinson shuffled The Moments before the release of their debut LP. Gross, Olfus, and Greene left, though Green stayed on the label as a solo artist, and New Jersey natives William Brown and Al Goodman came in as replacements to sing with John Morgan. Greene released two singles, “My Confession of Love” and “I’m So Lost,” as a solo artist on All Platinum but eventually cut ties with the recording company over a contract dispute. Greene, Gross, and Olfus received credit on The Moment’s 1968 Stang Records LP, “Not on the Outside, But on the Inside, Strong!” which went gold. The latter incarnation of The Moments ultimately changed their name to Ray, Goodman, and Brown when they moved to Polydor Records.

In 1971 Greene and the other former original members of The Moments, Gross and Olfus, recorded three singles together—“Which Way” “How Do You Move a Mountain,” and “Anyone Can”—on the Memphis, Tennessee Stax-Volt label as The Leaders. A majority of the records were stolen off of the shipping truck and the singles ultimately fizzled.

Greene continued to perform as a solo artist and as a featured vocalist with the Washington area group The Exceptions and also also briefly joined Ray, Goodman, and Brown after Harry Ray passed away in 1992. Greene, a multi-instrumentalist, began writing his own material and released a slew of solo jazz, pop, R&B, and reggae material on his own record label, Fajr Records. He was also solicited by the Temptations, The Four Tops, and The Platters.

Greene retrieved the trademark for The Moments name at the top of the millennium and released the CDs “Unspoken Moments” and “Revealing Moments” under the group’s moniker with members of The Exceptions and “Urban Legacy” as The Moments featuring Mark Greene. In 2009 The Moments’ 1968 song “Love on a Two Way Street” was sampled on the #1 hit “Empire State of Mind” by Jay-Z featuring Alicia Keys.

“My purpose is to utilize the talent I have,” says Greene. “My writing abilities and my skills as a singer to maybe enhance society and help…those who have an ear and eye for moral and message music. That’s where I’m at now.”

You can purchase Mark Greene’s work as a solo artist and with The Moments here and here.

Mmm, mmm, mmm.
 Scroll to top